Why we shoot brand films on anamorphic lenses
Oval bokeh, horizontal flares and that wide, cinematic frame. When anamorphic glass is worth it, and when it is not....
Journal
Stories
Color grading 101: from flat log to final look
What happens in the grading suite, why your footage looks grey straight out of the camera, and how we build...
How to budget your first brand film
Shoot days, crew, locations and post-production: where the money goes and how to get more film for your budget.
Sound is half the picture
Why we record clean dialogue on set, build ambience in post and never leave the mix until the last day....